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What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

A Tiny Desk setting pulls room sound and band interplay close enough that art pop stops feeling abstract.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

The onstage frame leaves enough air around the performance for room sound and band interplay to roughen the edges of a more exposed live feel.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

In KEXP session, room sound and band interplay becomes part of the drama while a broadcast-room immediacy settles into sharper relief.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

In this close-range setup, brings the performance in from the Capitol Theatre and room sound and band interplay land without much distance between them.