
An Audiotree session pulls snare-and-guitar friction close enough that a broadcast-room immediacy angle stops feeling abstract.
Live performances
Live sessions, in-studio performances, and filmed sets.
Genre filter
Filter live performances without leaving the live performances archive.

An Audiotree session pulls snare-and-guitar friction close enough that a broadcast-room immediacy angle stops feeling abstract.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

What carries this performance is how room sound and its closer-mic pull stay exposed without studio smoothing.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

The live setup trims away enough polish for room sound and band interplay and brings the performance in from the Studio to reshape the performance.

The live setting puts room sound close enough to the room for its closer-mic edge to come through plainly.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.

In KEXP session, room sound and band interplay becomes part of the drama while a broadcast-room immediacy settles into sharper relief.

room sound does most of the talking here, while the live frame leaves the closer-mic character unvarnished.